Originally published in 1991, Reflecting on Miss Marple looks at the incongruous combination of violence, murder and a sweet, white-haired old lady, and examines why this makes such a potent but unlikely formula. The book is an astute and engaging account which reveals Miss Marple as a feminist heroine, triumphantly able to exploit contemporary prejudices against unmarried women in order to solve her case. The authors explore the inherent contradictions of Agatha Christie's Miss Marple novels, their social context, and their place in detective fiction as a whole.

This interdisciplinary volume explores the fictional portrayal of marriage by women novelists between 1800 and 1900. It investigates the ways in which these novelists used the cultural form of the novel to engage with and contribute to the wider debates of the period around the fundamental cultural and social building block of marriage. The collection provides an important contribution to the emerging scholarly interest in nineteenth-century marriage, gender studies, and domesticity, opening up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. An initial chapter outlines the public discourses around marriage in the nineteenth century, the legal reforms that were achieved as a result of public pressure, and the ways in which these laws and economic concerns impacted on the marital relationship. It beds the collection down in current critical thinking and draws on life writing, journalism, and conduct books to widen our understanding of how women responded to the ideological and cultural construct of marriage. Further chapters examine a range of texts by lesser-known writers as well as canonical authors structured around a timeline of the major legal reforms that impacted on marriage. This structure provides a clear framework for the collection, locating it firmly within contemporary debate and foregrounding female voices. An afterword reflects back on the topic of marriage in the nineteenth- century and considers how the activism of the period influenced and shaped reform post-1900. This volume will make an important contribution to scholarship on Victorian Literature, Gender Studies, Cultural Studies, and the Nineteenth Century.

This book is concerned with the fiction and drama of the period, the poetry having been the subject of a separate book in the Writers and their Work series. Chapter one provides an overview of the women's movement between 1880-1919, and considers the diversity of feminist and female identities and lifestyles. The second chapter considers the representation of the woman artist in the context of debates on literary value and its relationship to gender and genre. Chapter three considers texts by a number of women writers, including novels and short stories, with a focus on the themes of motherhood, sexuality, eugenics, and imperialism. The final chapter extends the fin de siecle period in order to look and suffrage and other drama, with a focus on the leading woman playwright of the Edwardian ere, Elizabeth Robbins. The dramatic expression of themes addressed in the previous chapters is further explored here, especially motherhood and the emergence of women from sexual and domestic dependency.

Originally published in 1991, Reflecting on Miss Marple looks at the incongruous combination of violence, murder and a sweet, white-haired old lady, and examines why this makes such a potent but unlikely formula. The book is an astute and engaging account which reveals Miss Marple as a feminist heroine, triumphantly able to exploit contemporary prejudices against unmarried women in order to solve her case. The authors explore the inherent contradictions of Agatha Christie's Miss Marple novels, their social context, and their place in detective fiction as a whole.

This interdisciplinary volume explores the fictional portrayal of marriage by women novelists between 1800 and 1900. It investigates the ways in which these novelists used the cultural form of the novel to engage with and contribute to the wider debates of the period around the fundamental cultural and social building block of marriage. The collection provides an important contribution to the emerging scholarly interest in nineteenth-century marriage, gender studies, and domesticity, opening up new possibilities for uncovering submerged, marginalized, and alternative stories in Victorian literature. An initial chapter outlines the public discourses around marriage in the nineteenth century, the legal reforms that were achieved as a result of public pressure, and the ways in which these laws and economic concerns impacted on the marital relationship. It beds the collection down in current critical thinking and draws on life writing, journalism, and conduct books to widen our understanding of how women responded to the ideological and cultural construct of marriage. Further chapters examine a range of texts by lesser-known writers as well as canonical authors structured around a timeline of the major legal reforms that impacted on marriage. This structure provides a clear framework for the collection, locating it firmly within contemporary debate and foregrounding female voices. An afterword reflects back on the topic of marriage in the nineteenth- century and considers how the activism of the period influenced and shaped reform post-1900. This volume will make an important contribution to scholarship on Victorian Literature, Gender Studies, Cultural Studies, and the Nineteenth Century.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

This is the most ambitious scholarly critical edition of Oliphant's work ever undertaken. The sheer scale of her output has meant that selection is essential, but the edition aims to convey the range and variety of her work in both fiction and non-fictional genres. It will bring together for the first time her critical writing and other journalism for Blackwood's Edinburgh Magazine, the Spectator, the St James's Gazette, as well as her articles in the Contemporary Review, the Edinburgh, and Macmillan's Magazine. Much of her fiction, including full length novels, short stories and novellas, was first published in periodicals: in Blackwood's, the Cornhill, Longman's Magazine, Macmillan's, and Good Words. Few of her manuscripts survive, but substantive textual work remains to be done on the editorial changes made between periodical serialization and first appearance in volume form

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

A selection of texts by Elizabeth Gaskell, accompanied by annotations. It brings together Gaskell academics to provide readers with scholarship on her work and seeks to bring the crusading spirit and genius of the writer into the 21st century to take her place as a major Victorian writer.

When Sarah Burton returns to her hometown as headmistress she is full of ambition, determined to create a great school and to inspire her girls to take all they can from life. But in the aftermath of the First World War, the country is in depression and ideals are hard won. Lydia Holly, the scholarship girl from the shacks, is the most brilliant student Sarah has ever taught, but when her mother's health fails, her education must be sacrificed - there is nobody else to care for the children. Robert Carne of Maythorpe Hall stands for everything Sarah despises: his family has farmed the South Riding for generations, their position uncontested. Yet Sarah cannot help being drawn to this proud, haunted - and almost ruined - man. South Riding is a rich, panoramic novel, bringing vividly to life a rural community on the brink of change.

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